LONDON · HAY-ON-WYE · COUNTRYSIDE

Gardens that begin where the house leaves off

We design outdoor spaces for homes in London, the Welsh Marches and the stretches in between – each one shaped around the architecture, the light and the way a family actually uses the space

01 How we work

Outside, considered as part of the whole

We begin with the house – its proportions, materials, and the views from the rooms you spend most time in. The garden is designed in response to all of that: not imposed on the site, but drawn out of it.

Sight-lines, levels, the path from kitchen to terrace, the way light falls in February and August – these are the things that shape a well-made garden. Structure comes first, and planting follows: softening edges, marking seasons, and giving the space its character over time.

The result is a garden that feels as though it was always there

02 Who we work with

For people who know what they want their garden to feel like

Some of our clients have lived with their homes for years and feel, instinctively, that the garden has never quite worked. Others come to us mid-renovation, thinking about the outdoor space at the same time as the house – which is, in many ways, the right moment to do it. What they share is a sense that the garden could be doing more. That’s usually enough to start with.

London houses and townhouses

Calm, considered spaces that hold their own against a dense urban surround - with real privacy and planting that earns its place.

Family homes needing structure

Gardens designed to grow with the household - adaptable, resilient, and easy to maintain.

Country properties

Gardens that meet the landscape honestly - designed around the house and its setting, not imposed over them.

Courtyards and compact spaces

Where the challenge is giving a smaller space real presence - through clarity, proportion, and planting that rewards attention.

03 Planting & interiors

From the window-sill to the boundary wall

Planting is where a garden acquires its mood – and for many of our clients, that thinking extends inside the house too. We approach indoor planting with the same eye: considering scale, light, and how a plant sits within a room rather than merely filling a corner.

Outside, planting gives the designed structure its voice: marking the change of seasons, drawing the eye towards a view or away from one, and making a garden feel inhabited rather than arranged. It is the part of a garden that keeps changing – and, in the best cases, keeps improving.

Both inside and out, the aim is the same: planting that belongs